(1 February 1766 - 28 September 1839) was a pioneer of the American theater. He was a producer, playwright, and actor, as well as a historian. He managed two of New York's earliest and most prominent theaters, the John Street Theatre (from 1796?C98) and the Park Theatre (from 1798?C1805). He was also an artist, despite losing an eye in childhood. He was born in Perth Amboy New Jersey, the son of an army officer wounded at the Battle of Quebec in 1759. In 1783, he produced a portrait of George Washington, now owned by the United States Senate, and later studied art under Benjamin West in London. After returning to America in 1787, he worked exclusively in the theater for 18 years, resuming painting out of economic necessity in 1805. By 1817, he was a full-time painter. In his lifetime he produced more than sixty plays, most of which were adaptations or translations from French or German works. A few were original: these were based on American themes and had American characters. However, he is best known for his encyclopedic three-volume History of the Rise and Progress of the Arts of Design in the United States, which was published in 1834, and which is now an invaluable source of information about artists, collecting, and artistic life generally in the colonial and federal periods.   Related Paintings of William Dunlap :. | Portrait of a Woman | Unknow work 123 | The nave of the church | The cheerful family | MARQUISE D'HERVEY SAINT-DENYS |
Related Artists:
Jean Restout
French Neoclassical Painter, 1692-1768,was a French Neoclassical painter. Jean Restout was born in Rouen, the son of Jean Restout, the first of that name, and of Marie M. Jouvenet, sister and pupil of the then well-known Jean Jouvenet. In 1717, the Royal Academy having elected him a member on his work for the Grand Prix, he remained in Paris, instead of proceeding to Italy, exhibited at all the salons, and filled successively every post of academical distinction. His works, chiefly altar-pieces (Louvre Museum), ceilings and designs for Gobelin tapestries, were engraved by Cochin, Drevet and others; his diploma picture may still be seen at St Cloud. His son, Jean Bernard Restout (1732 - 1797),
Valentine Cameron Prinsep Prints
Indian-born British Pre-Raphaelite Painter, 1838-1904 Henry Prinsep was an intimate friend of G. F. Watts, under whom his son first studied. Val Prinsep also worked in Paris in the atelier Gleyre; and 'Taffy' in his friend George du Maurier's novel Trilby, is said to have been sketched from him. He was an intimate friend of John Everett Millais and of Burne-Jones, with whom he travelled in Italy. He had a share with Rossetti and others in the decoration of the hall of the Oxford Union. Prinsep first exhibited at the Royal Academy in 1862 with his Bianca Capella, his first picture, which attracted marked notice, being a portrait (1866) of General Gordon in Chinese costume. Princep lent the costume to Millais who used it in his own painting Esther. The best of his later exhibits were A Versailles, The Emperor Theophilus chooses his Wife, The Broken Idol and The Goose Girl. He was elected A.R.A. in 1879 and R.A. in 1894. In 1877 he went to India and painted a huge picture of the Delhi Durbar, exhibited in 1880, and afterwards hung at Buckingham Palace.
OUDRY, Jean-Baptiste
French Baroque Era Painter, 1686-1755 French painter. He was the principal animal painter and one of the foremost decorative painters during the first half of Louis XV's reign. After initial training as a portrait painter, he concentrated on still-lifes; by the 1720s he had also begun to establish himself as a specialist in hunting scenes, game-pieces and portraits of animals. He ran an active workshop, often keeping his best originals for years and selling copies and (more or less autograph) variants. In the 1730s he was most active as a tapestry designer, making numerous designs for the royal tapestry works of Beauvais and the Gobelins, and he continued to produce his brilliantly painted hunts, still-lifes and studies of animals and birds to the end of his career.